Showing posts with label fairy tale illustration. Show all posts
Showing posts with label fairy tale illustration. Show all posts

Tuesday, June 23, 2015

Thumbelina, Doorway to the Wee World


There is a reason Thumbelina, as well as Tom Thumb, are among the most loved of fairy tales. They take us into the wee world where we can explore what it is like to float on a leaf and fly on the back of a songbird. 
Thumbelina wool illustration
Thumbelina by Claudia Marie Felt

Life in the teeny, tiny world is fascinating, hence the trend of fairy gardens. Just walk into your garden and imagine life as Thumbelina -- a flower bed becomes a jungle, small rocks are boulders, and the butterflies . . . 

I think small children especially relate to Thumbelina, because they do live in a world where they feel little among adults. 

Thumbelina is a Hans Christian Anderson tale, published in Danish, as Tommelise, in 1835. Danny Kaye sang a song about Thumbelina for a 1952 movie about Hans Christian Anderson. And of course there have been animated movies. 


Vintage Thumbelina illustration
Thumbelina Father Tuck


I prefer the Thumbelina version in William Bennett's Book of Virtues. In this version Thumbelina goes for a stroll and enjoys a sailing ride with a fish, explores a field mouse's home and flies with a songbird. I like this version because Thumbelina is childish and in the end she is returned home to her mother. Bennett puts this tale in the Compassion section as Thumbelina's kindness toward the bird results in her happy ending. 


Elsa Beskow Thumbelina and toad
Elsa Beskow Thumbelina illustration

Of course in Anderson's original Thumbelina, she is abducted by creatures who want to marry her --first a toad, then a cockchafer, and a mole. This story is one of perseverence as Thumbelina survives, helps a sick bird who then takes her to a wonderful fairy land where she finds her true love, the elf prince. 


Maja Lindberg Thumbelina
Maja Lindberg Thumbelina illustration


The Thumbelina story can also be seen as a tale of being different; perhaps some people saw pretty little Thumbelina as disabled, but in fact, she could do things others could only dream of. In the end, she found the elf-prince who was her own kind. 

Thursday, May 21, 2015

Sleeping Beauty, Briar Rose: A Fairy Tale of Transformation


At the heart of each fairy tale lies a kernel of wisdom about man and this  wisdom nourishes the children. They are truly hungry for it.  -- Dorothy Harrer Educating as an Art: Essays on Waldorf Education


The tale of the sleeping princess is a tale of transformation. The earliest version of the story is French and dates back to the 1300s with Le Roman de Perceforest.  
Giambattista Basile wrote the first full collection of fairy tales, Il Pentamerone, in 1634, and included Sun, Moon and Talia, a sleeping beauty tale. The versions we are more familiar with are Charles Perrault's Sleeping Beauty in the Wood (1697) and the Brothers Grimm Briar Rose, 1812.

Briar Rose Waldorf Illustration
Briar Rose Illustration by Claudia Marie






In all varieties of this tale, there are magical women who attend the celebration of the child's birth, either goddesses or fairies, and bestow gifts upon the newborn child. One of the fairies is snubbed and puts a curse on the child.

“How wonderful it is to hold an infant and wonder about the new gifts that the child has brought to earth," wrote Waldorf Kindergrten teacher Joan Almon. "To be in the presence of the newborn is like stepping into the fairy tale of Sleeping Beauty and watching the twelve wise women come forward to bestow their special gifts . . . When we think of the child as animal-like or machine-like, we play the role of this thirteenth wise woman who wished death upon the child without the possibility of transformation or metamorphosis. Fortunately in the fairy tale, the twelfth wise woman had not yet made her wish and she now came forward. The story says she could not take away the evil sentence, but she could soften it, and she said, ‘There will be no death but a deep sleep of one hundred years.’ We are being asked to be the twelfth wise woman for today’s children, taking away the sting of materialism, the denial of the spirit, which so threatens the spirit of childhood. 


Warwick Goble Sleeping Beauty
Sleeping Beauty by Warwick Goble
Margaret Tarrant Sleeping Beauty
Sleeping Beauty by Margaret Tarrant

In the earliest tales of Sleeping Beauty, the princess is raped in her sleep and bears a child. The Perrault and Grimm versions clean up the tale to one that is more suitable for young children.

The essential transformation in the tale is puberty, according to Bruno Bettelheim, "The Uses of Enchantment: The Meaning and Importance of Fairy Tales." Sleeping Beauty pricking her finger on the spindle is a symbol for menstruation. Teenagers must go through a long sleep as they mature into adulthood.

However, young children will not understand the puberty symbolism. They will see it as a tale of transformation, a tale of triumph over death, a story that portrays the value of patience. There is a time for every season, no need to hurry. A nice long sleep is good for the flowers in the garden and good for the human spirit as well. 


Sleeping Beauty by fantasy artist Kinuko Y. Craft
Sleeping Beauty by C.M. Burd


Sleeping Beauty Martina Muller

Read more about Sleeping Beauty: